- More photos HERE - opens in a new window.
- An exquisite, antique, geisha’s tomesode. Panels inside and out, with bamboo, rocks, plum blossom and birds. There are touches of embroidery on each panel, including gold metal thread embroidery
- You can tell this is an extremely high quality kimono by the fact that, although the four panels show the same scene, each has slight differences, as each is done by hand. Furthermore, the pattern has embroidered detail on the inside panels as well as the outside and only the highest quality kimono would have embroidery on the inner panels. It has the deeper sleeves and red lining of an antique kimono and the hem has just a touch of padding in it, because the geisha would wear it very slightly trailing on the ground and the padding helps it lie well when trailing
- This kimono is made of extremely soft, black silk crepe
- There is the remains of pale make-up on the inner edge of the collar, which doesn’t show when on, and a couple of very little make up marks on the outside but they are fairly inconspicuous – see photos
- Fully lined
- This kimono can, of course, be worn but would also make a wonderful display item
- Made and bought in Japan
- The Japanese take great pains to store their traditional garments with the utmost care, which is why they stay in such exceptional condition. Some of my Japanese garments have large, white stitching (shitsuke) round the edges. The Japanese put these stitches in to keep the edges flat during long periods of storage, these stitches just get pulled out before wearing the garment
- **If shown with a sash, the sash is not included; for display purposes only, to let you see it closed, however, all kimono require an obi or some sort of sash to hold them closed; these are always bought separately. Think of it like a skirt and blouse, you can't wear either on its own, you buy them separately and mix and match
- Note - Kimono collars are worn folded in, in half, at the neck. Most need folded when put on, some have a press stud at the neck, some are stitched already folded down
Please be aware that different monitors display colour slightly differently. Therefore the colour in the photos and description is a guide only.
Excellent – There is the remains of the geisha’s pale make-up on the inner edge of the collar, which doesn’t show when on, and a couple of ver little make up marks on the outside but they are fairly inconspicuous – see photos
Sleeve end to sleeve end 120 cm
Sleeve seam to sleeve seam 59 cm
Length 141 cm
Weight approx. 1 kilo
If shown modelled, the woman in the photos is 125 cm from wrist to wrist. The sash she is wearing with the kimono is not included, it’s just to let you see it closed but kimonos do need an obi or wide sash to hold them closed
Japanese clothing is usually of adjustable fit, being mostly wrap-over or tie-to-fit items, so most garments fit a range of sizes. Because of this (and only really knowing my own size anyway) I can't really advise anyone on the fit. Please judge from the measurements given
Geisha Antique Tomesode
Kimono require a sash to hold them closed. This is always bought separately. Men usually wear a kaku obi with their kimono or, casually at home, a soft heko obi.
Sizing: Japanese clothing is usually of adjustable fit, being mostly wrap-over or tie-to-fit items, so most garments fit a range of sizes. Because of this (and only really knowing my own size anyway) I can't really advise anyone on the fit. Please judge fit from the measurements given. Check length given for the garment, then measure from base of back of your neck down to judge that length on you.
Also measure from centre back of neck, along shoulder and down the arm to the wrist, then double that and compare it with the sleeve end measurement to judge sleeve length.
Storage: Hang up your garment for a few hours prior to wearing, to remove fold creases. They should also be hung out to air 4 times per year, if not worn frequently. Hang your garment to air for a day or so immediately after purchase too, as it will have been stored for a while. The Japanese take great pains to store their traditional garments with the utmost care, which is why they stay in such exceptional condition. Some of my Japanese garments have white stitching (shitsuke) round the outside edges. The Japanese put these stitches in to keep the edges flat during long periods of storage, these stitches just get pulled out before wearing the garment.
Cedarwood or lavender essential oil keeps moths away, but don't get it on the fabric, apply near it, on the box, wrapper, drawer etc. or on a tissue nearby.
Cleaning: Be very cautious about washing kimonos. All cleaning is done entirely at your own risk, as is standard with all vintage garments and items. I would advise only dry cleaning for silk ones and for most synthetic ones, cotton ones may be dry cleanable too but select your dry cleaner carefully and take their advice before deciding if you want to try dry cleaning it. Some synthetic textile or cotton kimonos can be gently hand washed but the dyes can run even in some of those, so consider that before washing but, if you decide to wash, only cool hand wash very gently, do not rub, just gently squeeze the water through it a few times, do not wring, Use a detergent made for colours, not one for whites, as they contain bleaching agents. Do not machine wash, it can rip off the sleeves, but if you hand wash you can briefly machine spin it to remove excess water before hanging it to dry but do it on its own, separately from other items. All forms of cleaning are done at own risk. In Japan many kimonos, especially silk ones and any ceremonial ones, are cleaned by specialists in kimono cleaning, often by a special method called araihari, where they take it completely apart, clean the pieces, then sew it back together again.
Uses: Kimono and haori can, of course, be worn but also make wonderful display items. If short of space for displaying one, consider a child’s kimono or a haori which are just as striking and beautiful as an adult kimono but require less space.
Colour: Please be aware that different monitors display colour slightly differently. Therefore the colour in the photos and description is a guide only.
One must bear in mind that most are vintage items, which I strive to describe accurately and honestly. Most are in excellent vintage condition and therefore look virtually new but all are vintage, even the unused garments, which are or deadstock. A very, very few smell of mothballs or a touch of vintage mustiness but that is rare. This can be aired out and can sometimes be speeded up by tumble drying the dry garment at cool, but it should be put in a pillowcase in the dryer and is done only at your own risk. I have also had success at removing it by turning garments inside out and spraying very lightly with Oust, then letting them hang for a couple of days, but you do this at your own risk, as I can’t guarantee it won’t damage some fabrics. I found Oust to be much better at it than Febreze, even though Febreze is intended for some fabrics and Oust is an air freshener. Some synthetic textile and cotton kimonos can be hand washed but do this entirely at your own risk and only use a detergent for colours, as all other detergents contain bleaching agents to brighten whites. I usually mention any mothball or musty smell, if one does have it, but one must bear it in mind it is a possibility, even if not stated in the description, whenever buying vintage and antique textiles.